Gender and Race
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Feminism

To speak of "Feminism" as a theory is already a reduction. However, in terms of its theory (rather than as its reality as a historical movement in effect for some centuries) feminism might be categorized into three general groups:

  1. theories having an essentialist focus (including psychoanalytic and French feminism);

  2. theories aimed at defining or establishing a feminist literary canon or theories seeking to re-interpret and re-vision literature (and culture and history and so forth) from a less patriarchal slant (including gynocriticism, liberal feminism); and

  3. theories focusing on sexual difference and sexual politics (including gender studies, lesbian studies, cultural feminism, radical feminism, and socialist/materialist feminism).

Further, women (and men) needed to consider what it meant to be a woman, to consider how much of what society has often deemed inherently female traits, are culturally and socially constructed. Simone de Beauvoir's study, The Second Sex, though perhaps flawed by Beauvoir's own body politics, nevertheless served as a groundbreaking book of feminism, that questioned the "othering" of women by western philosophy. Early projects in feminist theory included resurrecting women's literature that in many cases had never been considered seriously or had been erased over time (e.g., Charlotte Perkins Gilman was quite prominent in the early 20th century but was virtually unknown until her work was "re-discovered" later in the century). Since the 1960s the writings of many women have been rediscovered, reconsidered, and collected in large anthologies such as The Norton Anthology of Literature by Women. However, merely unearthing women's literature did not ensure its prominence; in order to assess women's writings the amount of preconceptions inherent in a literary canon dominated by male beliefs and male writers needed to be re-evaluated. Betty Friedan's The Feminist Mystique (1963), Kate Millet's Sexual Politics (1970), Teresa de Lauretis's Alice Doesn't: Feminism, Semiotics, Cinema (1984), Annette Kolodny's The Lay of the Land (1975), Judith Fetterly's The Resisting Reader (1978), Elaine Showalter's A Literature of Their Own (1977), or Sandra Gilbert and Susan Gubar's The Madwoman in the Attic (1979) are just a handful of the many critiques that questioned cultural, sexual, intellectual, and/or psychological stereotypes about women. 

Further references:

  • R. Selden, P. Widowson, A Reader's Guide to Contemporary Literary Theory, ch. 8.
  • T. de Lauretis, "Upping the Anti [sic] in Feminist Theory." in The Cultural Syudies Reader, 74-89.

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Postcolonialism

Postcolonialism refers to a historical phase undergone by third-world countries after the decline of colonialism, e.g., the European empires. Although the term, postcolonialism, generally refers to the period after colonialism the distinction is not always made. After the decline of imperialism, countries such as Asia, African, and the Caribbeans were left to rebuild their countries, their culture, government, etc. In the process, many third-world writers focus on both colonialism and the changes created in a postcolonial culture. Among the many challenges facing postcolonial writers are the attempt to both resurrect their culture and to combat the preconceptions about their culture. Edward Said, for example, uses the word Orientalism to describe the discourse about the East constructed by the West.

Further references:

  • Said, Edward. Orientalism. 
  • Ashcroft, Bill. Gareth Griffiths, and Helen Tiffin, eds. The Post-Colonial
    Studies Reader.
  • R. Selden, P. Widowson, A Reader's Guide to Contemporary Literary Theory, ch. 7 (188-193).

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© Jan Rybicki 2003 unless otherwise stated.